{"id":9035,"date":"2019-12-16T10:57:09","date_gmt":"2019-12-16T10:57:09","guid":{"rendered":"https:\/\/dev.adambowie.com\/?p=9035"},"modified":"2019-12-16T10:57:11","modified_gmt":"2019-12-16T10:57:11","slug":"pattern-recognition","status":"publish","type":"post","link":"https:\/\/dev.adambowie.com\/blog\/2019\/12\/pattern-recognition\/","title":{"rendered":"Pattern Recognition"},"content":{"rendered":"\n<p>I have a confession to make. I&#8217;m way behind on William Gibson, despite him being one of my favourite writers. <\/p>\n\n\n\n<p>I was recently talking to a friend of mine about William Gibson and his 2003 novel <em><a href=\"https:\/\/amzn.to\/36sF5fQ\">Pattern Recognition<\/a><\/em>. It was a book I loved, except&#8230; I hadn&#8217;t read it. Instead, I heard a Radio 4 Extra reading of it and revelled in it. Yet an abridged reading is not the same as the full book, so I returned to the paperback (only finding an earlier purchase of the paperback after I&#8217;d bought a new one), and set about reading the story in full. <\/p>\n\n\n\n<p>Cayce Pollard is a coolhunter. She is hired by companies like the agency Blue Ant, to spot new trends in culture and determine what&#8217;s current and what will be cool. She&#8217;s good at this in part because she has a physical aversion to brands. Her own clothes are methodically de-branded, and in close proximity to sizeable amounts of branding she becomes ill.<\/p>\n\n\n\n<p>She is also obsessessed by a series of film clips that have been appearing online. Who is making them? Where are they being made? What&#8217;s the end game? She&#8217;s part of an internet forum where their every pixel is discussed.<\/p>\n\n\n\n<p>These two interests will begin to overlap as Blue Ant&#8217;s Hubertus Bigend offers her a contract to find the source of these films. To Bigend, this has the potential to be a new viral kind of marketing.<\/p>\n\n\n\n<p>But others are also interested, and a story that extends from London to Tokyo and Moscow, has elements of a spy thriller too. While Gibson is known for his science fiction, this is essentially a contemporary corporate espionage thriller, with a particularly keen sense of place and style. It&#8217;s also one of the first post 9\/11 books as well, working in the context of the novel.<\/p>\n\n\n\n<p>I suspect that Gibson&#8217;s almost fetishistic interest in Pollard&#8217;s Buzz Rickson&#8217;s MA-1 bomber jacket, is also a personal one. This certainly seems to reflect some of his interests apparent from his lively <a href=\"https:\/\/twitter.com\/GreatDismal\">Twitter feed<\/a>.<\/p>\n\n\n\n<p>I absolutely loved this book. I knew I loved it before I read it properly for the first time. It has a sense of place &#8211; coming out just ahead of smartphones. Pollard has to connect her laptop to her phone via a cable for goodness&#8217; sake! But in all other respects it could just as well be a tale of today and not one of sixteen years ago.<\/p>\n\n\n\n<p>I have all of Gibson&#8217;s subsequent novels still to read &#8211; not least the pair of books that follow this one in the &#8220;Blue Ant&#8221; trilogy. Then there&#8217;s Gibson&#8217;s upcoming novel <em><a href=\"https:\/\/amzn.to\/35akso9\">Agency<\/a><\/em>. This is seemingly both a sequel and prequel to <em>The Peripheral<\/em>, which Amazon are turning into a TV series under the stewardship of Lisa Joy and Jonathan Nolan. In the meantime, I do recommend this week&#8217;s <a href=\"https:\/\/www.newyorker.com\/magazine\/2019\/12\/16\/how-william-gibson-keeps-his-science-fiction-real?verso=true\"><em>New Yorker<\/em> profile<\/a> to read as well. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>I have a confession to make. I&#8217;m way behind on William Gibson, despite him being one of my favourite writers. I was recently talking to a friend of mine about William Gibson and his 2003 novel Pattern Recognition. It was a book I loved, except&#8230; I hadn&#8217;t read it. Instead, I heard a Radio 4 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":9037,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[108],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/dev.adambowie.com\/blog\/wp-json\/wp\/v2\/posts\/9035"}],"collection":[{"href":"https:\/\/dev.adambowie.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dev.adambowie.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dev.adambowie.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dev.adambowie.com\/blog\/wp-json\/wp\/v2\/comments?post=9035"}],"version-history":[{"count":2,"href":"https:\/\/dev.adambowie.com\/blog\/wp-json\/wp\/v2\/posts\/9035\/revisions"}],"predecessor-version":[{"id":9038,"href":"https:\/\/dev.adambowie.com\/blog\/wp-json\/wp\/v2\/posts\/9035\/revisions\/9038"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dev.adambowie.com\/blog\/wp-json\/wp\/v2\/media\/9037"}],"wp:attachment":[{"href":"https:\/\/dev.adambowie.com\/blog\/wp-json\/wp\/v2\/media?parent=9035"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dev.adambowie.com\/blog\/wp-json\/wp\/v2\/categories?post=9035"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dev.adambowie.com\/blog\/wp-json\/wp\/v2\/tags?post=9035"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}