{"id":3228,"date":"2013-10-07T22:06:42","date_gmt":"2013-10-07T22:06:42","guid":{"rendered":"http:\/\/dev.adambowie.com\/?p=3228"},"modified":"2013-10-07T23:58:42","modified_gmt":"2013-10-07T23:58:42","slug":"lbc-at-forty-memories","status":"publish","type":"post","link":"https:\/\/dev.adambowie.com\/blog\/2013\/10\/lbc-at-forty-memories\/","title":{"rendered":"LBC at Forty &#8211; Memories"},"content":{"rendered":"<p><a href=\"http:\/\/www.flickr.com\/photos\/adambowie\/10145403933\/\" title=\"LBC Scores First by adambowie, on Flickr\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/farm3.staticflickr.com\/2834\/10145403933_f4d2c38b7f_c.jpg\" width=\"800\" height=\"534\" alt=\"LBC Scores First\"><\/a><\/p>\n<p>Happy Birthday to LBC which is forty years old, and was the first &#8211; legal &#8211; commercial radio station in the UK, launching on 8th October 1973 just a few days ahead of Capital Radio and Radio Clyde.<\/p>\n<p>I\u2019m not going to write a history about it here, because others will do that, and they\u2019ll be a lot better than anything I could cobble together. LBC\u2019s own site has <A HREf=\u201dhttp:\/\/www.lbc.co.uk\/lbcs-40th-birthday-celebrate-40-years-of-conversation-78770\u201d>a nice section here.<\/A><\/p>\n<p>But I thought instead that I\u2019d share my early memories of LBC as a listener, because it was probably the first radio station that I adopted as \u201cmy own\u201d. We\u2019re talking about a period from perhaps 1982 until 1988 when I headed off to university (And where I very quickly got bored of the \u201cnew\u201d GWR that remained \u201cnew\u201d for most of my four year degree course! But that\u2019s another blog).<\/p>\n<p>In reality, the first radio I\u2019d have listened to when I was young was Radio 4. That was because it was omnipresent in our kitchen when I was being brought up. And it\u2019s why I still fondly remember theme tunes like Sport on Four\u2019s or Breakaway from Saturday mornings. And why voices like those of Brian Redhead, Libby Purves and Cliff Morgan still resonate with me.<\/p>\n<p>But sometime around the age of 8 or 9 I got a radio &#8211; a small Hitachi AM\/FM model, that came in a leatherette case with holes punched in it to let the sound come through the speaker grill. And in those days of a single household TV in the living room, and certainly no such thing as the internet, having a radio in your bedroom was probably your first chance to experience your own choice of media. I might have had control of the \u201cremote\u201d (except we didn\u2019t have a remote)  between 4.00pm and 5.30pm, but after that we watched what our parents wanted to watch. Otherwise my own media choices were more a question of whether you were going to spend your pocket money on The Beano or Whizzer and Chips.<\/p>\n<p>In London we were theoretically spoilt for choice.  But in reality there were relatively few stations that spoke to me as a youngster. Radio 1 was fine, and even had Tony Blackburn doing a Saturday morning kids show &#8211; something I now know he loathed doing. But the rest of the BBC was off-limits. This really was the era of Mantovani, and Family Favourites on Radio 2. Radio 4 wasn\u2019t for me at the time, and Radio 3 was another world away. There was no Radio 5 yet, and although I heard the odd Radio London programme, Radio 1 was probably it for me as far as the BBC went.<\/p>\n<p>Then there was Capital Radio which still had Kenny Everett. I could never get into the weirdness of that show, but the station was good for pop. And of course it was massive in London. I once headed out to some distant shopping centre (they weren&#8217;t yet &#8220;malls&#8221;) to collect a free target tuner. Travel half-way across London for a free FM radio? Of course I would! <\/p>\n<p>However, without older brothers and sisters to give me a lead into popular music, and parents who had bailed out sometime around the time of The Beatles, music radio was never going to be the be all and end all for me. Our \u201cmusic centre\u201d saw more action from \u201c<A HREF=\u201dhttp:\/\/www.discogs.com\/Jack-Parnell-And-His-Orchestra-The-TV-Times-Record-Of-Your-Top-TV-Themes\/release\/1478244\u201d>TV Times Record of Your Top TV Themes<\/A>\u201d by Jack Parnell and his orchestra or \u201c<A HREF=\u201dhttp:\/\/www.amazon.co.uk\/Greatest-Science-Fiction-Hits\/dp\/B001FIRCK2\u201d>Greatest Science Fiction Hits<\/A>\u201d by Neil Norman and his Cosmic Orchestra! <\/p>\n<p>Which left LBC. And that\u2019s where, in the end, I found myself. So instead of listening to Mike Read or Graham Dene in the morning, I found myself enjoying the AM Programme with Bob Holness and Douglas Cameron. <\/p>\n<p>It was a very strong breakfast show with proper news, reports and discussions. I don\u2019t even remember it being that London focused, although there tended to be a live broadcast from somewhere around the city each morning. In tone, you have to think of its direct successor today, the 5 Live Breakfast show. Bob and Doug came across as two old friends, but with plenty of gravitas. It was immensely listenable. <A HREF=\u201dhttp:\/\/www.metoffice.gov.uk\/barometer\/guest-articles\/philip-eden\u201d>Philip Eden<\/A> did the weather, and he always seemed to make a huge point of not being employed by the Met Office as nearly all other weather reporters at the time were. It was essential listening for me. <\/p>\n<p>This was the time of Charles and Diana, so another regular voice was <A HREF=\u201dhttp:\/\/dickiearbiter.co.uk\/\u201d>Dickie Arbiter<\/A>, their royal correspondent. And <A HREF=\u201dhttp:\/\/www.ma-radio.gold.ac.uk\/crook.htm\u201d>Tim Crook<\/A>, the legal correspondent was also omnipresent.<\/p>\n<p>Elsewhere in the schedule you had <A HREF=\u201dhttp:\/\/www.lbc.co.uk\/steve-allen-3528\u201d>Steve Allen<\/A> and <A HREF=\u201dhttp:\/\/www.lbc.co.uk\/clive-bull-3534\u201d>Clive Bull<\/A>, both of whom are somehow still with the station. <\/p>\n<p>I have a particular fondness for the latter of the two because he presented LBC\u2019s Sunday afternoon show &#8211; Young London. This was their kids\/youth programme, and it seemed to regularly come from shows and events around the capital. Considering that they didn\u2019t really play any music elsewhere in the schedule, they\u2019d still review new records as well as talking about films and books. But perhaps closest to my heart, they were getting into the new technology that was emerging.<\/p>\n<p>With the BBC Micro and the Vic 20 being released in 1981, and the Sinclair ZX Spectrum following in 1982, this was the time of the home computer revolution. Judicious use of savings from an aunt\u2019s bequest meant that I got my hands on a 16k Spectrum soon after it came out. I remember having to travel as far afield as Wood Green Shopping City to find a WH Smith with stock. <\/p>\n<p>Kids everywhere were getting into microcomputers, and Young London began what still seems the strangest thing I can imagine any radio station ever doing &#8211; broadcasting computer games over the air. More specifically, they were broadcasting games written by listeners. They just asked that you kept the program to be one minute or less in duration.<\/p>\n<p>To put this in perspective, imagine a radio station broadcasting <A HREF=\u201dhttp:\/\/www.youtube.com\/watch?v=MZYuGUCrkoU\u201d>one minute of this.<\/A><\/p>\n<p>Young London would rotate the models of computers they\u2019d broadcast games for. Some weeks, it\u2019d be a Spectrum, but other times it might be a BBC, Vic 20, Dragon or whatever. <\/p>\n<p>And when I say \u201cgames\u201d I don\u2019t mean Manic Miner or JetPac. LBC\u2019s listeners weren\u2019t up to that &#8211; or if they were, they weren\u2019t giving them away free on air. Invariably they\u2019d be a wordsearch, a quiz, or something simple. There\u2019d be limited amounts of interactivity, and the quality could vary wildly. Indeed my first submission to LBC, which was broadcast, was simply a display of a wordsearch alongside the words you had to find. I forget the entry mechanism, but I suspect that it involved sending a postcard in. <\/p>\n<p>At home you used a radio cassette player (I\u2019d by now upgraded to a double-cassette JVC model, that until very recently still acted as my kitchen radio, and still gives superb sound) and recorded the games off-air from FM. Then you played it back into your computer and you were away.<\/p>\n<p>What\u2019s more LBC sent me a pile of stuff for my trouble. A load of singles I\u2019d never heard of, some books, car sticker, and furry head-phoned bug. Free stuff! I was sold.<\/p>\n<p>In 1983 a program called The Quill was released for the Spectrum. It was really smart. Adventure games were taking off, with releases like The Hobbit and Colossal Adventure. I loved these. They were mostly text, and you simply typed in what you wanted to do and where you wanted to go, with the narrative unfolding like an interactive novel. The programs had text interpreters to try to understand what you\u2019d written. I\u2019d had a bash at writing my own games, but I realised that the language interpreter bit was quite hard for someone of my very limited coding abilities. The Quill removed the need for all that, and allowed you to concentrate on the creative elements of game writing and design. The program handled the language interpreation. Three of us shared  the \u00a314.95 cost to buy a copy. And it was to lead to my biggest programming success!<\/p>\n<p>I wrote a locked house mystery in The Quill and sent it into LBC where it seemingly hit the right note with Young London listeners. The following week when a winner was chosen, Clive Bull said on air that it had been the most popular download competition they\u2019d ever run. That was good enough for me! I got another batch of singles and books I\u2019d never heard of and was very satisfied. I\u2019d love to say that I still have a copy &#8211; but I don\u2019t. All I remember now was that one room in the game was called \u201cThe Greek Room\u201d. <\/p>\n<p>In the wider world, Clive Bull is perhaps more famous as the overnight LBC presenter who took calls from the Norwegian fisherman <a href=\"http:\/\/stabbers.truth.posiweb.net\/stabbers\/html\/sven.htm\">Sven<\/a> &#8211; aka Peter Cook. While my listening did regularly stretch into the small hours, I\u2019m not sure that I could honestly claim to have heard \u201cSven\u201d on-air live, although it\u2019s entirely possible. I certainly wasn\u2019t in the know enough to realise it was a comedy legend phoning in. But the overnight phone-in programme certainly had a very clubbish atmosphere with regulars all the time.<\/p>\n<p>Probably the biggest show on LBC at the time was their nightly phone-in from 10pm-1am. The first hour or two would usually be about a specific subject, while the latter part of the show would just see the lines opened up to talk about anything. Most famously there was  the sex phone-in with Philip Hodson (who also performed the role of Agony Uncle on Saturday Superstore, and who can currently be seen on Channel 4\u2019s \u201cSex Box\u201d). All quite illuminating for a young teenager. Then there was the legal phone-in, full of neighbourly disputes about parking and overhanging trees. A friend from school claims it was listening to this that made him choose a career in the Law!<\/p>\n<p>But perhaps my favourite broadcaster was Brian Hayes who had a no-nonsense approach to handling callers. He didn\u2019t have time for fools, and if they made a stupid point, it didn\u2019t bother him one jot to just hang up on them, or cut them off mid-flow. Extraordinary! This wasn\u2019t something I\u2019d ever heard before!<\/p>\n<p>Sometimes, he\u2019d have an \u201copen line\u201d when he promised listeners a chance to use a fixed period of time without interruption to make whatever point they wanted. Oddly enough, even callers seemed to feel uncomfortable if Hayes kept silent while they were talking. They\u2019d lose their thread and go quiet. Tommy Boyd\u2019s and later, Iain Lee\u2019s shows, couldn\u2019t have existed without Hayes leading the way. <\/p>\n<p>LBC tried some different things on occasion too. Tim Crook, their legal reporter, also ran a production company that produced serialised drama. They\u2019d make productions of Sherlock Holmes and Dickens stories. I suspect today that some would find it extraordinary that commercial radio ever did drama &#8211; but it did.<\/p>\n<p>Then there were the advertisers. It\u2019s still the case that whenever I hear Diana Ross singing \u2018Ain\u2019t No Mountain High Enough, I think of those omnipresent DHL ads that used to fill LBC\u2019s airtime. But I think the most iconic LBC ad for me will always be Currie Motors. I\u2019m pleased to see that they\u2019re still \u201c<a href=\"http:\/\/www.curriemotors.co.uk\/\">Nice People To Do Business With<\/a>.\u201d<\/p>\n<p>And LBC was really the first \u201cbreaking news\u201d station we really had in the UK, even if nobody was using that awful term. Indeed, it was probably the only place you could go for live updates outside of scheduled news bulletins, short of the time Radio 4 turned into \u201cScud FM\u201d during the first Gulf War.<\/p>\n<p>In 1984, the IRA bombed the Grand Hotel in Brighton where the Conservative Party conference was taking place. The bombing took place at 3am in the morning, and I remember waking in the middle of the night to hear reports on LBC of what was happening (I used to sleep with a radio on). In 1987 when fire took hold in Kings Cross, LBC was again my go-to station to find out what was happening.<\/p>\n<p>And in 1992 I was at home from university and up late at night when I heard a distant, but loud boom. It was another IRA bomb &#8211; this time at Staples Corner, probably ten or more miles away. My bedroom at the top of the house actually shook. Again, the first thing I did was switch on the radio and listen to other callers confirming what I\u2019d heard &#8211; that a bomb had gone off near Brent Cross. Only a few hours earlier, another bomb had gone off at the Baltic Exchange in the City, so it was a nervous time for IRA attacks.<\/p>\n<p>Today we might switch on Sky News or the BBC News channel to get instant coverage, but even they have to rely on phone calls from the scene for at least a few minutes, and radio can still compete there just as well.<\/p>\n<p>LBC had some tough times of course. As I was living away from London, it was seemingly regularly changing hands, rebranding, and trying different things before sensibly returning to simply calling itself what Londoners have known it as for forty years.<\/p>\n<p>I\u2019m still not really sure what value its rolling news service on AM is, but I imagine it costs minimal amounts to operate, and as long as it delivers listening hours, it\u2019s of value to current owners Global Radio.<\/p>\n<p>I wouldn\u2019t pretend that I listen all that much to LBC these days, although I think they still do most stuff pretty well. Nick Ferrari, Iain Dale (when he&#8217;s not brawling at the seaside), and Nick Abbot are all excellent, although I can leave Julia Hartley Brewer to be honest. And of course Clive Bull and Steve Allen are both still there.<\/p>\n<p>I do think Global is missing a trick with LBC though. Surely the UK is crying out for a truly national commercial non-sport speech station, and LBC should be it.<\/p>\n<p>Yes &#8211; you and I know that the \u201cL\u201d stands for London, but to be honest most of the programming could be national as well as London. Getting a 64k mono slot on D1 wouldn\u2019t have cost all that much if there was space. Voila! One national commercial speech station that isn\u2019t all about football. It\u2019d give 5 Live a run for its money. Given the addition this week of Capital XTRA on D1, it\u2019ll be interesting to see if Global expands its national digital radio footprint in the future.<\/p>\n<p>Oh, and that poster at the top? Have I really hung on to a Football League wallchart for all those years? Not really. I used it to mount some old photos on the reverse, and found it stuffed in the back of a photo album. <\/p>\n<p>Happy Birthday LBC!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Happy Birthday to LBC which is forty years old, and was the first &#8211; legal &#8211; commercial radio station in the UK, launching on 8th October 1973 just a few days ahead of Capital Radio and Radio Clyde. I\u2019m not going to write a history about it here, because others will do that, and they\u2019ll [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[41,42,40,29],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/dev.adambowie.com\/blog\/wp-json\/wp\/v2\/posts\/3228"}],"collection":[{"href":"https:\/\/dev.adambowie.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dev.adambowie.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dev.adambowie.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dev.adambowie.com\/blog\/wp-json\/wp\/v2\/comments?post=3228"}],"version-history":[{"count":10,"href":"https:\/\/dev.adambowie.com\/blog\/wp-json\/wp\/v2\/posts\/3228\/revisions"}],"predecessor-version":[{"id":3238,"href":"https:\/\/dev.adambowie.com\/blog\/wp-json\/wp\/v2\/posts\/3228\/revisions\/3238"}],"wp:attachment":[{"href":"https:\/\/dev.adambowie.com\/blog\/wp-json\/wp\/v2\/media?parent=3228"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dev.adambowie.com\/blog\/wp-json\/wp\/v2\/categories?post=3228"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dev.adambowie.com\/blog\/wp-json\/wp\/v2\/tags?post=3228"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}