{"id":2933,"date":"2011-05-25T13:20:56","date_gmt":"2011-05-25T13:20:56","guid":{"rendered":"http:\/\/dev.adambowie.com\/2011\/05\/why_im_not_goin\/"},"modified":"2011-05-25T13:20:56","modified_gmt":"2011-05-25T13:20:56","slug":"why_im_not_goin","status":"publish","type":"post","link":"https:\/\/dev.adambowie.com\/blog\/2011\/05\/why_im_not_goin\/","title":{"rendered":"Why I&#8217;m Not Going To The Cinemas As Much As I Once Did"},"content":{"rendered":"<p>Cinema has always been a media that has felt under threat. Radio, television, video, DVD, BluRay, video games and so on, have all at one time or another been listed as being a reason that the medium is going to fail. And it&#8217;s true that it has adapted &#8211; or had to adapt &#8211; over the years. And despite the naysayers, it&#8217;s has evolved and survived.<br \/>\nToday, it&#8217;s technology that gives it a leading edge: digital projectors, 3D, and digital surround systems.<br \/>\nBut even those are not enough to keep it on an even keel, and in many ways, they&#8217;re also becoming cinema&#8217;s biggest problem.<br \/>\nThere are reports that 3D is not as popular as it once was, with 2D versions of films outperforming 3D versions. That&#8217;s not surprising as most 3D is rubbish, adding no more than a few cheap thrills, but at considerable cost to enjoyment of the film overall. And now we hear about <a href=\"http:\/\/articles.boston.com\/2011-05-22\/ae\/29571831_1_digital-projectors-movie-exhibition-business-screens\">considerable problems<\/a> with digital projectors in some cinemas with <a href=\"http:\/\/blogs.suntimes.com\/ebert\/2011\/05\/the_dying_of_the_light.html\">2D films<\/a>.<br \/>\nI used to go to the cinema all the time. Now, it&#8217;s a much rarer treat for me. That&#8217;s not the ticket prices &#8211; although in London those don&#8217;t help &#8211; it&#8217;s because I find the experience significantly less pleasant than it once was.<br \/>\nHere&#8217;s my list of things cinemas, and the film industry in general, needs to do if it wants to regain my custom:<\/p>\n<ul>\n<li>Run a zero tolerance policy on people using phones in cinemas. I don&#8217;t mean people talking on them &#8211; although I have experienced that. I mean checking text messages, Facebook and Twitter. The industry has been scared stupid that we&#8217;re all busy pirating films by smuggling camcorders into screening, yet I&#8217;ve never <I>ever<\/I> seen a member of staff in a cinema admonish patrons for using their phones. While those Orange ads are fine, they don&#8217;t really hammer home the message. That means chains need to update those pre-film reels more than once a decade to take into account social media on mobile devices. And they need staff who will proactively tell people to stop using their devices.<\/li>\n<li>Stop selling noisy\/smelly food. I realise that cinemas don&#8217;t make any cash at all from the actual screening of films &#8211; especially in the first week(s) of release. But they do need to realise that we come to the cinema for enjoyment. If I keep having unpleasant experiences, then I&#8217;ll just wait a couple of months and watch the DVD or BluRay at home. <\/li>\n<li>Don&#8217;t scrimp and save on projection or audio. The only reason I&#8217;m travelling to see a film in a cinema is because it&#8217;s going to look and sound fantastic. If you can&#8217;t be bothered to put the correct lens on a projector (I must admit that I&#8217;m not aware I&#8217;ve experienced this problem), you fail to show a film in the right ratio (I certainly <I>have<\/I> had this experience), or you fail to clean the smears off your screen or fix the sound, then I&#8217;m not going to bother coming. Again, that means employing someone who knows what they&#8217;re doing, and not giving them so much to do that they never have time to check that everything is OK.<\/li>\n<li>If I decide ahead of time that I&#8217;m coming to the cinema, and pay you for the privilige, then shouldn&#8217;t I actually be getting a discount? The ticketing process is automated. You have my money irrespective of whether I actually make it there. You&#8217;re paying smaller staff costs. So why does this cost me more? (And arguing that other forms of entertainment charge administrative costs is not an answer &#8211; they&#8217;re equally as bad) At the very least, have the decency to have working automatic machines at the cinema.<\/li>\n<li>Simply deciding that you&#8217;re going to charge more for the seats in the middle of the cinema really doesn&#8217;t make for a &#8220;Premium&#8221; experience. Yes the chairs are nicer, but all you&#8217;re really doing is subtly disincentivising me from coming more frequently.<\/li>\n<\/ul>\n<p>And a few for film-makers\/studios:<\/p>\n<ul>\n<li>If you shot your film with 2D cameras, there is absolutely no way it&#8217;s going to look better in 3D. I&#8217;m certainly not going to pay for the privilige of seeing flat characters &#8220;cut-out&#8221; of the background and some kind of Photoshop content-aware fill applied is not good enough. Indeed it&#8217;s terrible. I&#8217;m not going to see your film in 3D. And I&#8217;m quite likely to take against it in 2D no matter how good it is. Thor &#8211; I&#8217;m looking at you.<\/li>\n<li>And even if you shoot with 3D cameras, I&#8217;m still unlikely to see your film. You see it&#8217;s too dark. I hate dark films. Well Stanley Kubrick&#8217;s Barry Lyndon was OK. But that was by design. And he even had a special lens designed for that film!<\/li>\n<\/ul>\n<p>So there you go. I haven&#8217;t stopped watching films. I&#8217;m just not seeing them in a cinema as much as I once did. And that&#8217;s a shame, as watching a good comedy (a rare thing I know) or a good blockbuster is a much better experience with a large audience. Yet the cinema experience is paling. I&#8217;m not a luddite. If someone makes a good film in 3D I&#8217;ll still go and see it. That means a good story (Avatar &#8211; I&#8217;m looking at you) as well as being technically good. But then if you use IMAX, high frame rates, more than 4k or whatever &#8211; I&#8217;m still interested.<br \/>\nThe key thing here is to make it exciting to go to the cinema &#8211; a positive and pleasant experience.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cinema has always been a media that has felt under threat. Radio, television, video, DVD, BluRay, video games and so on, have all at one time or another been listed as being a reason that the medium is going to fail. And it&#8217;s true that it has adapted &#8211; or had to adapt &#8211; over [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/dev.adambowie.com\/blog\/wp-json\/wp\/v2\/posts\/2933"}],"collection":[{"href":"https:\/\/dev.adambowie.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dev.adambowie.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dev.adambowie.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dev.adambowie.com\/blog\/wp-json\/wp\/v2\/comments?post=2933"}],"version-history":[{"count":0,"href":"https:\/\/dev.adambowie.com\/blog\/wp-json\/wp\/v2\/posts\/2933\/revisions"}],"wp:attachment":[{"href":"https:\/\/dev.adambowie.com\/blog\/wp-json\/wp\/v2\/media?parent=2933"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dev.adambowie.com\/blog\/wp-json\/wp\/v2\/categories?post=2933"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dev.adambowie.com\/blog\/wp-json\/wp\/v2\/tags?post=2933"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}