{"id":1663,"date":"2006-09-18T13:04:43","date_gmt":"2006-09-18T13:04:43","guid":{"rendered":"http:\/\/dev.adambowie.com\/2006\/09\/classic_fm_down\/"},"modified":"2006-09-18T13:04:43","modified_gmt":"2006-09-18T13:04:43","slug":"classic_fm_down","status":"publish","type":"post","link":"https:\/\/dev.adambowie.com\/blog\/2006\/09\/classic_fm_down\/","title":{"rendered":"Classic FM Download Service"},"content":{"rendered":"<p>Classic FM has launched <a href=\"http:\/\/www.classicfm.com\/downloads\">a download service<\/a>, and guess what? It&#8217;s offering mp3s using <a href=\"http:\/\/www.emusic.com\/\">eMusic<\/a> as their partner. This is a smart move, and I might even give the service a bit of a go. But a couple of things:<br \/>\n1) They really should be shouting a bit more about the fact that they&#8217;re offering mp3s. This means that their tracks are available to all iPod and wma format players.<br \/>\n2) The &#8220;songs&#8221; model really doesn&#8217;t work for classical music. That&#8217;s why even the iTunes music store is pretty hopeless for classical music.  They&#8217;re offering a 50 download trial, but they do talk an awful lot about &#8220;songs&#8221;. Sometimes a piece may last a very short time &#8211; <a href=\"http:\/\/en.wikipedia.org\/wiki\/Minute_Waltz\">Chopin&#8217;s Minute Waltz<\/a>, for example, although it actually lasts 90 seconds to two minutes &#8211; and others last a very long time &#8211; <a href=\"http:\/\/en.wikipedia.org\/wiki\/Symphony_No._7_%28Sibelius%29\">Symphony No. 7 by Sibelius<\/a> is a single movement, although CDs break up that movement into different sections.<br \/>\nStill, they encode their mp3s at 192VBR which really isn&#8217;t bad. I wonder how it&#8217;s doing?<br \/>\n[UPDATE]\nWell, I&#8217;ve decided to give the Classic FM\/eMusic thing a bit of a go, since I seem to be able to get fifty downloads free in the first fortnight before I have to pay.<br \/>\nA couple of things to note immediately.<br \/>\nFirst, the Classic FM offer isn&#8217;t really much of one. It leads you to a bespoke set of Classic FM pages hosted on eMusic, but it&#8217;s very easy for you to lose them, and never find them again. And the fifty free downloads is available to all. Still, I don&#8217;t begrudge them trying it.<br \/>\nSecondly, the classical range is relatively limited. Naxos has by far the most representation, and given that they charge around &pound;5.99, the savings beyond a CD are good, but aren&#8217;t stupendous. The monthly &pound;8.99 (the lowest subscription level if I stay with the service) would get me about one and a bit CDs in the real-world, but around 4-5 discs worth online. Not to be sniffed at though, and much better than I&#8217;d manage with iTunes.<br \/>\nProvidentially, a &#8220;CD of the month&#8221; email dropped into my inbox from Naxos minutes after signing up, so I downloaded John Adams&#8217; Violin Concerto. Then another classical email arrived, this time from EMI, advertising their Simon Rattle\/Berlin Philhamonic recording of The Planets by Holst (also including Colin Matthew&#8217;s Pluto, which, as we all know, is no longer a planet). Sadly, this isn&#8217;t available on the service.<br \/>\nFrom the music I&#8217;ve heard so far, the quality&#8217;s excellent and I&#8217;ve no complaints. My reservations about having a digital only music collection remain, but I may stick with the service for a little. And of course, the fifty downloads are not limited to classical music, but the whole of eMusic.<br \/>\nOh, and I did &#8220;buy&#8221; the LSO Live version of the Sibelius Symphonies 3 &#038; 7. Symphony No. 7 is a single 22.5 minute track counting as one download&#8230;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Classic FM has launched a download service, and guess what? It&#8217;s offering mp3s using eMusic as their partner. This is a smart move, and I might even give the service a bit of a go. But a couple of things: 1) They really should be shouting a bit more about the fact that they&#8217;re offering [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/dev.adambowie.com\/blog\/wp-json\/wp\/v2\/posts\/1663"}],"collection":[{"href":"https:\/\/dev.adambowie.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dev.adambowie.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dev.adambowie.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dev.adambowie.com\/blog\/wp-json\/wp\/v2\/comments?post=1663"}],"version-history":[{"count":0,"href":"https:\/\/dev.adambowie.com\/blog\/wp-json\/wp\/v2\/posts\/1663\/revisions"}],"wp:attachment":[{"href":"https:\/\/dev.adambowie.com\/blog\/wp-json\/wp\/v2\/media?parent=1663"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dev.adambowie.com\/blog\/wp-json\/wp\/v2\/categories?post=1663"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dev.adambowie.com\/blog\/wp-json\/wp\/v2\/tags?post=1663"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}