{"id":1451,"date":"2006-04-24T13:02:25","date_gmt":"2006-04-24T13:02:25","guid":{"rendered":"http:\/\/dev.adambowie.com\/2006\/04\/various_tv_musi\/"},"modified":"2006-04-24T13:02:25","modified_gmt":"2006-04-24T13:02:25","slug":"various_tv_musi","status":"publish","type":"post","link":"https:\/\/dev.adambowie.com\/blog\/2006\/04\/various_tv_musi\/","title":{"rendered":"Various TV Musings"},"content":{"rendered":"<p>It was very strange to see the credits at the end of Sharpe last night. This quintissentially ITV show (that I only ever caught up with on DVD) has returned for one-off seven or eight years after it last graced our screens. It&#8217;s a sign of the times that whereas before Sharpe was always made in 120 minutes episodes (including adverts) it now has to adopt the 2 x 90 minute episode mantra that ITV dictates nearly all major dramas should adopt.<br \/>\nBut back to the credits. Whereas in the past this would have been made by Central for ITV, it&#8217;s now a <a href=\"http:\/\/www.sharpefilm.com\">coproduction<\/a> between Picture Palace and Celtic Films. But the strangest partner is BBC America &#8211; complete with big BBC logo at the end if not the start.<br \/>\nIt&#8217;s one thing to occassionally see Granada logos at the end of BBC shows (University Challenge, What the Papers Say, The Street), but quite another to see a BBC logo at the end of an ITV programme. till, the DVD is being released by <a href=\"http:\/\/www.2entertain.co.uk\">2Entertain<\/a>, and that&#8217;s a BBC Worldwide\/VCI Group joint venture. And VCI is owned by Woolworths &#8211; so expect copies to be readily available there at least.<br \/>\nOn a separate note, did Kathryn Flett&#8217;s replacement in the Observer, <a href=\"http:\/\/observer.guardian.co.uk\/review\/story\/0,,1759057,00.html\">Andrew Anthony<\/a>, see a different production of Mary Bryant <a href=\"http:\/\/dev.adambowie.com\/tv\/archives\/001570.html\">to me<\/a>?<br \/>\nI&#8217;ve developed a way of watching David Mamet&#8217;s new TV series about an elite group of soldiers sent around the world to sort out problems for America: fast forward through all the bits featuring their wives and girlfriends. Most annoying of all is the self-satisfied character who&#8217;s Dennis Haysbert&#8217;s wife. If the wives really did have to rally around someone like her, there&#8217;d be plenty of deaths on-base to sort out.<br \/>\nStill, the recent episode where one of the soldiers gets left behind in Valencia was a little hard to believe. It seems that Spain is something of a police state, and it&#8217;s necessary to befriend drug dealers and rich gay Brits with yachts to get out of the country. You wouldn&#8217;t have though that it shares massive borders with countries such as Spain and France across which anyone can walk.<br \/>\nI haven&#8217;t heard of a British station that&#8217;s picked up this show yet, although if it&#8217;s renewed for another season, someone&#8217;s bound to.<br \/>\nFinally, if I ever make a television documentary (something that&#8217;s pretty unlikely), I&#8217;d want all my rostrum work done by <a href=\"http:\/\/en.wikipedia.org\/wiki\/Ken_Morse\">Ken Morse<\/a>. I caught up with the excellent Top of the Form Story at the weekend, presented by Dave &#8216;<a href=\"http:\/\/www.flickr.com\/photos\/dgbalancesrocks\/\">Flickr<\/a>&#8216; Gorman in a programme that was as much about changing attitudes to the education system. Ken Morse, or his company at least, supplied rostrum work.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>It was very strange to see the credits at the end of Sharpe last night. This quintissentially ITV show (that I only ever caught up with on DVD) has returned for one-off seven or eight years after it last graced our screens. It&#8217;s a sign of the times that whereas before Sharpe was always made [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/dev.adambowie.com\/blog\/wp-json\/wp\/v2\/posts\/1451"}],"collection":[{"href":"https:\/\/dev.adambowie.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dev.adambowie.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dev.adambowie.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dev.adambowie.com\/blog\/wp-json\/wp\/v2\/comments?post=1451"}],"version-history":[{"count":0,"href":"https:\/\/dev.adambowie.com\/blog\/wp-json\/wp\/v2\/posts\/1451\/revisions"}],"wp:attachment":[{"href":"https:\/\/dev.adambowie.com\/blog\/wp-json\/wp\/v2\/media?parent=1451"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dev.adambowie.com\/blog\/wp-json\/wp\/v2\/categories?post=1451"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dev.adambowie.com\/blog\/wp-json\/wp\/v2\/tags?post=1451"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}