{"id":1371,"date":"2006-01-27T22:58:31","date_gmt":"2006-01-27T22:58:31","guid":{"rendered":"http:\/\/dev.adambowie.com\/2006\/01\/hidden\/"},"modified":"2006-01-27T22:58:31","modified_gmt":"2006-01-27T22:58:31","slug":"hidden","status":"publish","type":"post","link":"https:\/\/dev.adambowie.com\/blog\/2006\/01\/hidden\/","title":{"rendered":"Hidden"},"content":{"rendered":"<p><a href=\"http:\/\/www.imdb.com\/title\/tt0387898\/\">Hidden<\/a>, or Cach&eacute;, as it is in French, is a very strange film. I think the only previous Michael Haneke film I&#8217;ve seen is The Piano Teacher, which a very disturbing film. But this is probably more unusual.<br \/>\nOvertly, it&#8217;s something of a thriller, with a couple (Daniel Auteuil and Juliette Binoche) receiving strange video tapes of the exterior of their house in a nice part of Paris. They&#8217;re being stalked in some kind of a strange way. They whys and wherefores are probably best left to the film, because it is an intriguing story.<br \/>\nHowever, the style of the film is very odd. We get very long takes, with very fixed and singular shots. A long wide shot. Then a long close-up of one character, followed by a close-up of the other. Sometimes, we discover our POV is actually the camera recording the tape images, with no attempt to display the image in a video style, but on other occassions, the camera will suddenly move, and we realise that it&#8217;s not. That makes you a strange observer.<br \/>\nSound is unusual too, with audio being very &#8220;real&#8221;. So if we&#8217;re at one end of a telephone conversation, the other end is so faint as to be inaudible, although this being a subtitled film, we&#8217;re let in on the conversation. I don&#8217;t think I&#8217;d have understood what was being said had I been watching this film in France. On other occassions, overlapping conversations make it hard to hear what the main characters are saying, and in one instance, a television is blaring out the news without a care for the dramatic scene that&#8217;s being played out in front of it. Neither character rushes to switch it off, as they would in reality.<br \/>\nAnd there&#8217;s no music either.<br \/>\nThe other really notable thing about this film is that, although calm, controlled and realistic, there are a couple of scenes of nearly excuciating horror. One of them actually lead to shouted gasps in the auditorium where I watched this film. Once seen, not easily forgotten, and a reminder of the power of The Piano Teacher in a similar regard.<br \/>\nSo what to make of the film? I&#8217;m not sure. I won&#8217;t spoil the ending, but I don&#8217;t think I was alone in being unsatisfied with it. Once we&#8217;d been taken on this merry dance, I suppose I wanted something a bit better. The performances were superb &#8211; in particular Auteuil, who was very naturalistic. But I find it hard to agree with the critics who in today&#8217;s papers found this to be a better film than Munich.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hidden, or Cach&eacute;, as it is in French, is a very strange film. I think the only previous Michael Haneke film I&#8217;ve seen is The Piano Teacher, which a very disturbing film. But this is probably more unusual. Overtly, it&#8217;s something of a thriller, with a couple (Daniel Auteuil and Juliette Binoche) receiving strange video [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/dev.adambowie.com\/blog\/wp-json\/wp\/v2\/posts\/1371"}],"collection":[{"href":"https:\/\/dev.adambowie.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dev.adambowie.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dev.adambowie.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dev.adambowie.com\/blog\/wp-json\/wp\/v2\/comments?post=1371"}],"version-history":[{"count":0,"href":"https:\/\/dev.adambowie.com\/blog\/wp-json\/wp\/v2\/posts\/1371\/revisions"}],"wp:attachment":[{"href":"https:\/\/dev.adambowie.com\/blog\/wp-json\/wp\/v2\/media?parent=1371"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dev.adambowie.com\/blog\/wp-json\/wp\/v2\/categories?post=1371"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dev.adambowie.com\/blog\/wp-json\/wp\/v2\/tags?post=1371"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}